Vocalist Madeleine Peyroux can best be thought of as a Billie Holiday for the 1990s. Like Holiday, Peyroux is being marketed as a jazz singer, when what she seems to do best is sing blues music. Though Peyroux may remind some listeners of Holiday, there are differences, and she has her own sense of phrasing and interpretation.

Her 1996 Atlantic Records debut, Dreamland, is a brilliant recording, as Peyroux's distinctive voice is not hindered by overly intricate arrangements. Most of the accompaniment on the record is light and sparse, the way it should be for a singer with such a unique voice. Her debut album features a cast of top players from the New York jazz scene, including pianist Cyrus Chestnut, drummer Leon Parker, guitarists Vernon Reid and Marc Ribot, and saxophonist/clarinetist James Carter.

Madeleine Peyroux was born in Athens, Georgia and raised between southern California, Brooklyn and Paris. She began singing at age 15, when she discovered the Latin Quarter in Paris and became enamored with several street musicians. By 1989, she was working with a group of musicians called the Riverboat Shufflers, and after working for a while as a hat passer for the group, she began singing with them. She then joined the Lost Wandering Blues and Jazz Band at age 16, spending the next couple of years touring Europe while holding college in abeyance. That group formed the basis for her first album, for they performed the songs of Fats Waller, Billie Holiday, early Ella Fitzgerald and others.

Though Dreamland is by no means a straightahead jazz album, Peyroux and her producers take a thoroughly modern approach to blues tunes from the 1920s and '30s. She interprets songs like Fats Waller's "I'm Gonna Sit Right Down and Write Myself a Letter," Billie Holiday's "Gettin' Some Fun Out of Life," as well as tunes popularized by Bessie Smith, like "Reckless Blues" and "Lovesick Blues." But unlike Smith or Holiday, who weren't known as songwriters, Peyroux also records three of her own tunes on Dreamland, "Always a Use," (on which she accompanies herself on guitar), "Hey Sweet Man" and "Dreamland." However she is marketed, blues, jazz or "roots music," look for more great things to come to this young and promising 20-something vocalist, guitarist and songwriter. 
 
- by Richard Skelly
All Music Group